Nancy Stella Soto

It seems long, but it's actually a little on the short side, because of the uneven hems. A strong, thick cotton gives is structure.

It seems long, but it's actually a little on the short side, because of the uneven hems. A strong, thick cotton gives is structure.

Long skirt with one big, slanted pocket in front, hidden side zip closure. The fabric is a tight, plain weave Japanese cotton that feels bit like paper. For something different in the modest black skirt.

Long dress with button down front. Modified A-line with seamless side pockets. The fabric is a tight, plain weave Japanese cotton that feels bit like paper. For something different in the white summer dress.

It's a light, oversized trench coat, in classic khaki but with the patented NSS twist. Bottom hem is in free-flowing, uneven strips. Surprisingly easy to wear, and something that can give a low-key outfit some fun. The fabric is a tight, plain weave Japanese cotton that feels bit like paper. 

This could be interpreted as a tank, short sleeved, or cap sleeved, we guess depending on how it falls on the body. It's boxy, in a cropped length.

The conceptualist is at it again, this time combining sport and structure. We'd suggest pairing it with a formal-style collar underneath, white or color are equally good, when the grid provides all the framework you'll need. Unisex.

Long sleeved blouse, the classic white, done a little differently. In a shorter length, and with contrasting, overlapping planes in front and back, it gives dimension via geometry.

Conceptual denim by a designer that really thinks through simple ideas made bigger, better, and braver. In a soft denim, an easy shape for all, with gridded cut outs. Made for layering (or an inviting breeze).

Conceptual denim by a designer that really thinks through simple ideas made bigger, better, and braver. In a soft denim and wide leg fit, with square cut out grid beginning at knees and below.

Sleeveless top with contrasting, overlapping planes.