TOPS

A sleek, classic sweater with zip front mock neck. Aprés work.

Tailored, collared shirting, in a slightly boxy cut that's quite universal. One big flap pocket is unusual and eye catching. But the best thing is the fabric. It's a very subtle multi rainbow colored check. You can barely see it, it's so discreet (wee bit difficult to see in these pics, so sorry). But it makes you laugh, like it's a little secret.

Correll Correll's signature velvet circle motif on organic Japanese cotton, in this new duo style. Unisex.

This long-sleeved cotton flannel button down has been reworked until it found new life. Customized and personalized, sewn and inside out. Highly personalized illustrations and photography by Stacy himself, silkscreened and patchworked into a highly individualized piece. No two are alike.

They made a hoodie! It's on the longer side, with cotton and nylon patchwork panels. Multiple pockets. Neon greens.

NB: Each garment varies, and is one-of-a-kind. Any anomalies should be understood as part of the design, not as errors.

This jumpsuit is pretty wild. The length is adjustable with straps that tie at the shoulders. The legs end in open belled cuffs. The middle section has big pouch pockets, front and back. There are "sleeves" as well, that you can wear or not—if not, they serve as decorative layers.

NB: Each garment varies, and is one-of-a-kind. Any anomalies should be understood as part of the design, not as errors.

The level of thoughtfulness in the construction and concept behind even a sweatshirt is indicative of what Ms. Longo is working through. To bring her illustrations to life, she's seamed in the pieces, as opposed to applique, with tracks and tracks of stitching and blocking to avoid warping. Boxy silhouette with low mock neck, dropped shoulders for a slouchy feel. Unisex.

The level of thoughtfulness in the construction and concept behind even a sweatshirt is indicative of what Ms. Longo is working through. To bring her illustrations to life, she's seamed in the pieces, as opposed to applique, with tracks and tracks of stitching and blocking to avoid warping. Boxy silhouette with low mock neck, dropped shoulders for a slouchy feel. Unisex.

Luxury basics from Vivien Ramsay (NY) mean ultra soft cotton, impeccable stitching, and subtle details. Details. It's the details. Elastic cotton, with softly structured cups and straps that work without underwire. It's a thoroughly modern update to industrial undergarments of yore, combining modesty and sensuality and personality.

Approximate sizing:
Small = A cup
Medium = B cup
Large = C cup

Luxury basics from Vivien Ramsay (NY) mean ultra soft cotton, impeccable stitching, and subtle details. Details. It's the details. Mid-waist brief.

Luxury basics from Vivien Ramsay (NY) mean ultra soft cotton, impeccable stitching, and subtle details. Details. It's the details. Elastic lace, hi-waist panty. It's a thoroughly modern update to industrial undergarments of yore, combining modesty and sensuality and personality.

Luxury basics from Vivien Ramsay (NY) mean ultra soft cotton, impeccable stitching, and subtle details. Details. It's the details. Elastic lace, with softly structured cups and straps that work without underwire. It's a thoroughly modern update to industrial undergarments of yore, combining modesty and sensuality and personality.

Approximate sizing:
Small = A cup
Medium = B cup
Large = C cup

Luxury basics from Vivien Ramsay (NY) mean ultra soft cotton, impeccable stitching, and subtle details. Details. It's the details. So look at the neckline that looks like little flower petals and the weeny bow. The seam lines at the shoulders are curved inward, creating the illusion of a slimmer shoulder. The kind of basics you're always looking for, found.

Luxury basics from Vivien Ramsay (NY) mean ultra soft cotton, impeccable stitching, and subtle details. Details. It's the details. So look at the neckline and how flat and gentle the edging is. The seam lines at the shoulders are curved inward, creating the illusion of a slimmer shoulder. The kind of basics you're always looking for, found.

Working in butterfly motifs this season. Beige, mesh/spandex long sleeve top with pink patterning. Unisex.

"feeling the hollow edges of a silk seam as a diagonal that tilts up"
"shades of transparent yellow"
"let us rejoice in"
"running toward the bees on flowers"
"god forbid we try too hard"

Handpainted vintage t-shirt with burn out poetic phrases, uplifting and thoughtful, and an entreaty as well. With figurative illustrations. 

Measurements (taken lying flat):
Chest (armpit to armpit) = 24"
Length (rear collar to hem) = 31"

NB: Each garment varies. Any anomalies should be understood as part of the design, not as errors.

"feeling the hollow edges of a silk seam as a diagonal that tilts up"
"shades of transparent yellow"
"let us rejoice in"
"running toward the bees on flowers"
"god forbid we try too hard"

Handpainted vintage t-shirt with burn out poetic phrases, uplifting and thoughtful, and an entreaty as well. With figurative illustrations. 

Measurements (taken lying flat):
Chest (armpit to armpit) = 24"
Length (rear collar to hem) = 31"

NB: Each garment varies. Any anomalies should be understood as part of the design, not as errors.

"feeling the hollow edges of a silk seam as a diagonal that tilts up"
"shades of transparent yellow"
"let us rejoice in"
"running toward the bees on flowers"
"god forbid we try too hard"

Handpainted vintage t-shirt with burn out poetic phrases, uplifting and thoughtful, and an entreaty as well. With figurative illustrations. 

Measurements (taken lying flat):
Chest (armpit to armpit) = 22.5"
Length (rear collar to hem) = 31"

NB: Each garment varies. Any anomalies should be understood as part of the design, not as errors.

"feeling the hollow edges of a silk seam as a diagonal that tilts up"
"shades of transparent yellow"
"let us rejoice in"
"running toward the bees on flowers"
"god forbid we try too hard"

Handpainted vintage t-shirt with burn out poetic phrases, uplifting and thoughtful, and an entreaty as well. With figurative illustrations. 

Measurements (taken lying flat):
Chest (armpit to armpit) = 26"
Length (rear collar to hem) = 31.5"

NB: Each garment varies. Any anomalies should be understood as part of the design, not as errors.

"feeling the hollow edges of a silk seam as a diagonal that tilts up"
"shades of transparent yellow"
"let us rejoice in"
"running toward the bees on flowers"
"god forbid we try too hard"

Handpainted vintage t-shirt with burn out poetic phrases, uplifting and thoughtful, and an entreaty as well. With figurative illustrations. 

Measurements (taken lying flat):
Chest (armpit to armpit) = 23.5"
Length (rear collar to hem) = 29"

NB: Each garment varies. Any anomalies should be understood as part of the design, not as errors.

"feeling the hollow edges of a silk seam as a diagonal that tilts up"
"shades of transparent yellow"
"let us rejoice in"
"running toward the bees on flowers"
"god forbid we try too hard"

Handpainted vintage t-shirt with burn out poetic phrases, uplifting and thoughtful, and an entreaty as well. With figurative illustrations. 

Measurements (taken lying flat):
Chest (armpit to armpit) = 21"
Length (rear collar to hem) = 28"

NB: Each garment varies. Any anomalies should be understood as part of the design, not as errors.

The shape of this t-shirt adds a new dimension to the other white versions you may have. The cotton is a medium weight rib for structure, a higher, trimmed neckline and longer sleeve for finishing. A little more formal.

A refined classic, this crisp Japanese cotton is a year-round wardrobe staple, in a one-size silhouette.

Subtly curved across the chest for more flattering fit, medium-high cut leg, full-coverage bottom.

"Less, but better"—Dieter Rams

The following text is by Tsatsas, on this special, special project:

A collaboration with one of today’s most important product designers, TSATSAS presents the model 931, a bag designed by Dieter Rams.

Dieter Rams, born in 1932 in Wiesbaden/Germany, is considered one of the most influential industrial designers of the past decades. His products for the companies Braun and Vitsoe inspire creatives around the globe to this day. The “Ten principles for good design,” which he formulated from the mid-1970s onwards, pointed even then to the challenges design in particular and our society as a whole are facing today more than ever.

Having worked in the field of product design for more than 40 years, Dieter Rams is still highly topical. With missionary zeal, he continues to claim to this day that the correct understanding of design can help create a better world.

In 1963 Dieter Rams designed a handbag made of leather for his wife Ingeborg, whom he met in 1955 when she was working for Braun as a photographer. It was while working for Braun himself, where he was chief designer from 1961 until 1995, that Rams engaged more strongly with the material leather, collaborating with leather crafting workshops in Offenbach/Main for the company’s shaver cases. And it was there that he had the idea of surprising his wife with a leather bag, yet it remained a one-off.

55 years later, TSATSAS is proud to introduce this very bag to the market. The label’s design philosophy – to create timeless bags and accessories with a clear design language that give rise to lasting shapes without any aesthetic expiry date – was easy to reconcile with Rams’ expectations of a product.

So reduced and simultaneously concise that it unavoidably calls to mind Rams products, 931 is as up-to-date today as it was in 1963 and effortlessly bridges five decades of design history.

*************************

The highest quality shrunken lamb nappa, with pacific blue nappa lining. Hand-held or with removable, adjustable shoulder strap. Two distinct sections divided by a middle compartment closed with a snap. One large zip close pocket, two additional compartments, and a small mirror with with leather case. Magnetic top closure. Individual, gold-embossed serial number. 9.65" w x 5.9" h x 2.75" d.

Mineral washed for softness, hand-dyed with all-natural ingredients foraged from Ms. Reynold's home, travels, and who knows where else? Each hue is composed of, and extracted in an earth kiln, heated to specific temperature and applied at its most vibrant. The technique results in a dimensionality of color, lived in, but not overworked.

NB: Please note each ALR piece is one-of-a-kind; differences should not be taken as errors.

Handpainted, hand patchworked vintage t-shirt, lovingly pieced, with Waggy's original screens, logos, illustrations, and designs.

Measurements (taken lying flat):
Chest (armpit to armpit) = 21.75"
Length (rear collar to hem) = 27"
Shoulders (seam to seam) = 20.75"
Sleeve (seam to hem) = 8.5"

NB: Each garment varies. Any anomalies should be understood as part of the design, not as errors.

Handpainted, hand patchworked vintage t-shirt, lovingly pieced, with Waggy's original screens, logos, illustrations, and designs.

Measurements (taken lying flat):
Chest (armpit to armpit) = 22"
Length (rear collar to hem) = 27.5"
Shoulders (seam to seam) = 22"
Sleeve (seam to hem) = 8.25"

NB: Each garment varies. Any anomalies should be understood as part of the design, not as errors.

Handpainted and patchworked vintage t-shirt, tie-dyed, beaded, and lovingly pieced.

Measurements (taken lying flat):
Chest (armpit to armpit) = 23"
Length (rear collar to hem) = 27.25"
Shoulders (seam to seam) = 21.5"
Sleeve (seam to hem) = 8"

NB: Each garment varies. Any anomalies should be understood as part of the design, not as errors.

Handpainted and patchworked vintage t-shirt, tie-dyed, beaded, and lovingly pieced.

Measurements (taken lying flat):
Chest (armpit to armpit) = 24"
Length (rear collar to hem) = 26.5"
Shoulders (seam to seam) = 22"
Sleeve (seam to hem) = 8.25"

NB: Each garment varies. Any anomalies should be understood as part of the design, not as errors.

Handpainted and patchworked vintage t-shirt, with Love Love Love Love all over it.

NB: Each garment varies. Any anomalies should be understood as part of the design, not as errors.

"How do you spend money?"
"What do you do with your time?"
"How do you talk to the people you love?"

Handpainted vintage t-shirt asks the modern question that we all fear. What we like about this one is that even though it's an intimidating phrase, the Fat Albert-esque vibe of the lettering tempers that quality.

Measurements (taken lying flat):
Chest (armpit to armpit) = 23"
Length (rear collar to hem) = 29.5"
Shoulders (seam to seam) = 21.5"
Sleeve (seam to hem) = 8"

NB: Each garment varies. Any anomalies should be understood as part of the design, not as errors.

"How do you spend money?"
"What do you do with your time?"
"How do you talk to the people you love?"

Handpainted vintage t-shirt asks the modern question that we all fear. What we like about this one is that even though it's an intimidating phrase, the Fat Albert-esque vibe of the lettering tempers that quality.

Measurements (taken lying flat):
Chest (armpit to armpit) = 24.5"
Length (rear collar to hem) = 28.25"
Shoulders (seam to seam) = 22"
Sleeve (seam to hem) = 8.5"

NB: Each garment varies. Any anomalies should be understood as part of the design, not as errors.

"How do you spend money?"
"What do you do with your time?"
"How do you talk to the people you love?"

Handpainted vintage t-shirt asks the modern question that we all fear. What we like about this one is that even though it's an intimidating phrase, the Fat Albert-esque vibe of the lettering tempers that quality.

NB: Each garment varies. Any anomalies should be understood as part of the design, not as errors.

"How do you spend money?"
"What do you do with your time?"
"How do you talk to the people you love?"

Handpainted vintage t-shirt asks the modern question that we all fear. What we like about this one is that even though it's an intimidating phrase, the Fat Albert-esque vibe of the lettering tempers that quality.

Measurements (taken lying flat):
Chest (armpit to armpit) = 21.5"
Length (rear collar to hem) = 27.5"
Shoulders (seam to seam) = 19"
Sleeve (seam to hem) = 7.5"

NB: Each garment varies. Any anomalies should be understood as part of the design, not as errors.

Plug in lamp with hand-decorated cord. Lurex fringes in metallic gold that are approximately 1.25" long. With grounded (3-prong) plug, on/off switch. Made for US outlets; European outlets require adapter. Bulb not included. 15' 5" long.

It works as a jacket, overcoat, sweatshirt, or cardigan of sorts. A jack of all trades piece but weird, it's made from thick cotton fleece with attached asymmetric scarf worked as the collar detail. Unisex.

Super soft cotton babyrib t-shirt in a casual, boxy shape. The unique color combinations of these shirts are matched to the shades of aged Toyota pickups the designer has spotted in her city of Los Angeles. Exact color tones may vary on each shirt due to the dying process.

Super soft cotton babyrib t-shirt in a casual, boxy shape. The unique color combinations of these shirts are matched to the shades of aged Toyota pickups the designer has spotted in her city of Los Angeles. Exact color tones may vary on each shirt due to the dying process.

Twisted gingham masterpiece. Button down blouse that can be worn in several different necklines. Sleeves are knotted all the way down for handkerchief effect.

Soft and cozy. Perfectly proportioned boxy pullover, with a neck to wear up or rolled down. Unisex.

In a dark charcoal with tiny flecks of color throughout. Perfectly proportioned boxy pullover, with a neck to wear up or rolled down. Unisex.

Cotton sweatshirt with Atelier's neo-classic logotypes, mixing up artworld and sporting references. Unisex.

Cotton sweatshirt with Atelier's neo-classic logotypes, mixing up artworld and sporting references. Unisex.